What is your recollection of the "good change" [1] era?
That time was hard, yet oddly exhilarating, as it coincided with my coming of age. I felt as though I was constantly being drawn into political debates. During that period, I moved from Toruń to Poznań, enrolled in an art history programme at university, and began living life on my own terms. That mattered because I come from a very conservative family. In Poznań, I finally felt free, met brilliant people, engaged with the drag scene with friends, and started doing exactly what I wanted.
So was it a mix of highs and lows?
It was, because I was constantly compelled to protest for various causes, standing up for our rights, whether women's rights or LGBT+ rights.
Why did you choose to study in Poznań? You could have stayed in Toruń and studied art history there.
Toruń specialises in early art, with a particularly strong archaeology department at Toruń's Nicolaus Copernicus University. Since I was more drawn to contemporary art, especially Central and Eastern European, Poznań appeared to be the better choice. And also, my sister was already studying there, so I was familiar with the city, and Poznań simply struck me as a fantastic place. I moved there in 2016.
The art history department in Poznań is known for its stark divide between progressives and hard-line conservatives. Did you sense that tension?
By the time I finished my studies, I certainly did. That was actually one of the reasons I decided not to pursue a master's degree there. After completing my bachelor's, I switched to curatorial studies at the Poznań University of Fine Arts, where I graduated with distinction. While there, I immersed myself in queer art. I wrote my master's thesis on the subject, supervised by Marta Smolińska, although I had started the research earlier at the Institute of Art History at Adam Mickiewicz University under Paweł Leszkowicz. My focus was on the Warsaw festival Pomada. I felt the need to be closer to artists, to work with them, and to express myself as a curator.
What drew you specifically to queer art?
At first, I was also fascinated by medieval art, but ultimately contemporary art, and especially its feminist and queer aspects, won me over. Art history majors are actually required to write two bachelor's theses and then choose which one to defend. I wrote one on the negative portrayal of Jews in Polish Gothic art, and the other on the overlooked contributions of women to the works of artists from Bosnia and Herzegovina. Unsurprisingly, I chose to defend the latter, under the supervision of Magdalena Radomska. From that point forward, I steadily moved in the queer direction. Even before I started my studies at the University of Fine Arts, Gosia Mycek invited me to curate my first queer exhibition. It was staged as part of a benefit for a friend's gender transition and titled Against the Family. The exhibition explored the notion that we, queer people, want, can, and often have to build new chosen families. That was the time queer truly exploded into my life.
What does queer art mean to you?
As you know, defining queer art can be tricky. It's more appropriate to speak of definitions in the plural. Personally, I subscribe to the understanding put forward by Eve Kosofsky Sedgwick in her book Epistemology of the Closet, which, unfortunately, has never been translated into Polish. She describes queer as any breach of heteronormativity. That is how I prefer to see it: a breach that does not necessarily have to be affirming, because queer is not always fun and flamboyant - something many tend to forget.
Which brings me to the Arsenał Municipal Gallery, where in June, during Pride Month, you co-curated the exhibitionLGBT+ Zones: Queer Art in the Time of the "Good Change".
I did that indeed, with Tomek Pawłowski-Jarmołajew. We knew each other beforehand but had never collaborated. Once we got started, it quickly became clear we both had our sights set on creating a queer exhibition. At first, we dreamt of a large-scale cross-cutting show, but we needed a reality check to make sure our project would fit the space available at the Arsenał.
Poland's largest queer exhibition to date remains Ars Homo Erotica, held in 2010 at the National Museum of Warsaw during Piotr Piotrowski's brief directorship, and curated by Paweł Leszkowicz. Both were academics at the Institute of Art History at Adam Mickiewicz University.
That exhibition is a benchmark. Queer displays in Poland are generally seen as those either preceding or following Ars Homo Erotica. Sadly, I was too young to attend it myself.
I did go - I even interviewed Paweł about it. That show, very much a gay exhibition at its core, was clearly a product of its time. Today, however, we speak of queer exhibitions, which is one of the developments since then. The other is the presence of many queer artists from Belarus and Ukraine now living in Poland, which had significantly altered the landscape.
Yes, and that's something Tomek and I found especially compelling when organising the show. It's no coincidence we offered guided tours in Ukrainian and Belarusian. And you're absolutely right: meeting artists from the East really shifts perspectives, because even during the "good change" years, LGBT+ people in Poland were better off than queer people in Belarus. It is worth noting that Belarusian art in Poland is thriving wonderfully, also beyond the queer scene.
Did working on this exhibition teach you anything?
Definitely - I learnt much more about queer performance, especially thanks to Andrzej Pakuła, who curated our performance programme at the Pavilion. And you know what surprised me? Not a single protest against the exhibition.
That's what Mikita Ilynchyk told me after the premiere of hisPygmalionat the Polski Theatre. I told him then what I'll say to you now: Poznań is long past the point of "offence to religious sentiments", as it is often referred to. While Poland grows increasingly right-wing, Poznań appears to be moving in the opposite direction.
Exactly. I was used to the Toruń climate, where anything could be protested - from Behemoth concerts to Marina Abramović exhibitions.
Do you identify with any of the letters in our rainbow acronym?
Mostly with the letter L, although I have always had relationships with men, too. The thing about those letters is that they can feel more limiting than defining. If I had to label myself, I'd say I'm bisexual and homoerotic, because I've never been able to form a romantic relationship with a man. I just don't have the heart for it. With my girlfriend, whom I recently got engaged to, we live openly as lesbians. Our friends always say they're going to see "the lesbians" or "lezzies".
Was it the same in Toruń?
As I mentioned, I come from a highly conservative, religiously devout, right-wing family. Yet both my sister and are lesbians. So it is no surprise at all that our relationships with our parents are complicated. I can't bring my girlfriend home, and since that's not possible, I simply don't visit. To make matters more difficult, my girlfriend is trans, which is more than my parents can accept. My sister, from time to time, could invite her girlfriend to family gatherings under the pretence of being a "friend", but I can't, because the way my parents see it, that looks far too queer.
When did your queer life begin?
Back in high school, when I identified as bisexual. I had a lot of good friends but still encountered biphobia, the classic line being "fine, whatever, but you'd better make up your mind". It's funny that when a guy says he's bi, people assume he's gay, but when a woman says it, they assume she's straight. My theory is that people simply can't allow themselves to accept that a relationship with a woman can actually be fulfilling. There's still an ingrained belief that a man must be at the centre of attention.
Were there any queer clubs in Toruń at the time?
Just one. For a long time, there wasn't even a Pride parade. Toruń only started shifting in that direction after I'd already left. These days, there are queer spots there, such as Równik, and several queer-friendly venues. I still visit now and then, and I've even joined their Pride parade with my girlfriend. It was brilliant, though of course nowhere near the scale of what you see in Poznań.
Did you bump into any former school mates at the Toruń Pride parade?
No, I didn't, although there was a lesbian classmate in high school, and everyone got on with her perfectly, including me. It all seemed fine until the prom, when some of the girl's male classmates refused to share a table with a lesbian. This sparked a major scandal. It was rightly called out as straight-up discrimination. I remember my Polish teacher stepping in firmly, which was brilliant. The school I attended, III LO, was already among the most LGBT+ friendly places around at the time. Honestly, I quite enjoyed living in Toruń, though eventually it felt too small for me. I really appreciated the local Contemporary Art Centre, something Poznań still lacks. The first major queer exhibition I attended was one of Karol Radziszewski's works at that very Centre. Who knows, I may return to Toruń to retire.
Did you come out before leaving for Poznań?
I did, although at first my parents probably thought I was doing it just to spite them - we used to tease one another at home. And since I dated both boys and girls, they assumed I'd eventually settle with a man. To appears I let them down again, and as I've mentioned, that chilled our relationship. The same ritual plays out every year: my mum asks if I'm coming home for Christmas, I ask if I can bring Ida, mum says no, so I don't go. I find it very important to draw that line. If you don't accept who I am, there is no way we can share a meal. That would feel like pure hypocrisy. Why pretend?
You moved to Poznań just as its queer scene was beginning to flourish. Did you feel you were part of that change?
Even before moving, I was aware that Poznań was becoming increasingly more queer. That lesbian friend I mentioned had already filled me in on that. And through my sister, I quickly found myself immersed in a queer circle - we dived headfirst into drag, putting on all sorts of wild performances. I loved every minute of it, though I never had much of a stage presence, which perhaps explains why I ended up studying art history and theory rather than creating art myself. I've always been more drawn to engaging with other people's work.
For a long time, queer bars tended to be predominantly gay, as lesbian spots often closed down faster than they could open. Today, most queer places welcome everyone. Do you visit them?
I've only ever heard rumours about lesbian bars. As for queer hangouts, I do go there, although I'm not much of a clubber and definitely not into the drinking culture. I'd much rather attend exhibitions, performances, art events, or house parties. In fact, it was at one such party that I met Ida, my girlfriend. We'd already been following each other on Instagram, dropping subtle hints, liking each other's posts - then at that party, we just clicked and haven't looked back. We've been together three years now. Interestingly, Ida is binary, which in quite unusual in my closest drag circle, the House of Orzeczenie.
Do you live together?
Yes. At first, we lived in a drag commune, but these days it's just the two of us, in the Jeżyce district naturally. Ida is an English philologist who specialises in computational linguistics and is well versed in the various feminist cyber themes that are currently all the rage in the art world. I've already got her to help me with a couple of exhibitions. We love creating things together, and we're very happy. Life in Poznań suits us perfectly.
[1] Translator's note: "Good change" ("dobra zmiana in Polish") was a slogan and rallying cry of the Law and Justice party promising to bring fair, responsible, and citizen-focused governance. Critics claimed it was a power grab cloaked in shiny rhetoric that resulted in democratic backsliding.